08 Apr

Wildbird welcomes composer Elliott Gyger

Wildbird is delighted to announce the publication of two scores by Elliott Gyger: Inferno for solo piano and Precipice for oboe and piano.

Elliott Gyger is one of Australia’s outstanding composers, known for his wonderful chamber operas Fly Away Peter and Oscar and Lucinda, orchestral works, choral music, chamber music and instrumental and solo works. He is a highly-respected composition teacher at Melbourne Conservatorium of Music, University of Melbourne and author of the book The Music of Nigel Butterley in Wildbird’s Australian Composers series.

Inferno (2013) for solo piano is one of the great Australian piano works. The composer has written about Inferno in the introduction to the score:

Powerful images from Dante’s vision of Hell provide programmatic starting-points for a series of pieces whose internal logic is nonetheless purely musical. The vocabulary imprisons powerfully expressive gestures within tightly controlled structures, creating Lisztean tableaux of virtuosity and damnation influenced by Messiaen, Carter, Ligeti, Birtwistle and other giants of the post-war avant-garde.

The cycle consists of nine Etudes for the nine Circles of Hell, framed by four brief Interludes corresponding to the Rivers of Hell, together with a Prelude and Postlude. Each Etude explores a different subset of the piano’s range, moving gradually downward and alternately expanding and contracting across the cycle. All four Interludes, by contrast, traverse the same harmonic field spanning the entire range of the instrument, as well as the same metrical structure. Another recurring element is the transposition of Dante’s distinctive terza rima (three-line stanzas with interlocking end-rhymes: aba bcb cdc …) onto musical parameters.

– Elliott Gyger

Inferno was conceived as a single work, designed to be played in its entirety. However, Gyger shows us in the introduction some possible selected sections of the score for pianists not wanting to play the complete work.

A recording of this work is available on Inferno: The piano music of Elliott Gyger (MD3376; 2014) an album recorded on the Move Records label by pianist Michael Kieran Harvey.

Precipice (2010) for oboe and piano was commissioned as part of the celebrations for the 100th anniversary of the Sydney Conservatorium of Music. The composer has written in the introduction to the score:

A pièce de concours denotes a work for solo instrument and piano, intended as a test piece for advanced students. It typically includes opportunities for slow, expressive playing, demonstrating the player’s control of tone quality and phrasing, as well as rapid, agile passages to display technical facility. The term sometimes carries connotations of musical slightness – but there are certainly counterexamples, among them Debussy’s celebrated Première Rhapsodie for clarinet and piano.

Precipice takes the idea of the pièce de concours as its starting point, but arranges its various components into an unexpectedly dark narrative. In addition to its topographical meaning, there is a less common definition of “precipice” as a precarious state or situation of great peril: connotations of danger and excessive speed (as in the adjective “precipitous”) are also relevant to the mood of the work. The oboe here is intrinsically a plaintive, lyrical instrument — agility is attainable but doesn’t come naturally, and always seems vulnerable to collapse.

– Elliott Gyger

Precipice has two movements: “At the edge” and “After the fall.” This publication comes with a main score for the pianist and a separate part for the oboist.

Wildbird is pleased to announce that these two scores can be ordered online: Inferno $45.00 plus postage, and Precipice $29.95 plus postage. Scores will also be available to purchase from the Australian Music Centre.

21 Aug

Two new score publications

Wildbird is pleased to announce the publication of two more scores by Brian Howard:

Alchemy, his String Quartet No.1

Desires Ingrained, for solo violin

You can listen to Desires Ingrained performed by Vera van der Bie in Amsterdam in October 2016 in the Resources section of this website.

Wildbird has a Special Offer on these two new scores from 21 August to 4 September. You can access this at Shop / Special Offers.

04 Sep

Metamorphosis

Opera Australia has announced that Brian Howard‘s opera Metamorphosis will receive a new production in the 2018 season.

This will be the fourth production of this opera after Nigel Triffitt (VSO) Melbourne, Graeme Murphy (OA) Sydney and John Milson (WAAPA) Perth.

Metamorphosis will be staged in Sydney on 26, 27, 28 and 29 September 2018 and in Melbourne on 25, 26 and 27 October 2018.

The new production will be directed by Tama Matheson with set and costumes by Mark Thompson.

Paul Fitzsimon will conduct with Simon Lobelson, Julie Lea Goodwin, Christopher Hillier, Taryn Fiebig, Adrian Tamburini and Benjamin Rasheed as the cast.

Find out more from Opera Australia: https://opera.org.au/whatson/events/metamorphosis-sydney

03 Feb

New Release: ‘The Music of Carl Vine’ by Rhoderick McNeill

Wildbird is delighted to announce the publication of the fourth volume in the Australian Composers series , The Music of Carl Vine. This book has been written by Professor Rhoderick McNeill, Head, School of Arts and Communication at the University of Southern Queensland.

Carl Vine is one of Australia’s great composers. He has been writing music for over forty years. His works include 7 Symphonies, 5 String Quartets, Concertos for Violin, Oboe, Piano (2) and Cello and his much awaited new work Five Hallucinations (2016) for Trombone and Orchestra. His compositions also include major works for the piano, choral, chamber and orchestral music. He is also well known for his ballet and film music including The Tempest and The Battlers.

Vine’s music has been examined by Rhoderick McNeill in this new Wildbird publication. McNeill is particularly known for his book The Australian symphony from Federation to 1960.  A large number of musical examples have been included throughout the book to enable music students, teachers and the interested public to see the key features of Vine’s creative world. Written by leading authorities on Australian music, books in the Australian Composers series are an important resource designed for all music students and teachers, university students and libraries interested in the work of Australia’s leading composers.

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03 Jan

Wildbird books and scores now available from the Australian Music Centre

Wildbird Music is delighted to announce that our publications can now be purchased through the Australian Music Centre.  While all titles are still available to order directly from the Wildbird Website, as before, this means you can now add Wildbird music scores or books from the Australian Composers series to your Australian Music Centre order for scores, recordings and books.  Visit www.australianmusiccentre.com.au to view the comprehensive range and place your order.

22 Sep

Premiere of new work by Brian Howard

Brian Howard’s Desires Ingrained (2016) for solo violin will be premiered at the first of the three After the Silence concerts in Amsterdam in October. This work will be performed by Vera Van Der Bie on 3 October 2016. The concerts will present a series of compositions all 8 minutes or less in duration. Kate Moore and Konstantin Koukias will also have works performed at these concerts.

Facebook event page: https://www.facebook.com/events/138974306552240/

Tickets: https://www.eventbrite.nl/e/tickets-after-the-silence-new-sounds-concert-1-of-3-27684587346

31 Mar

Limelight Australian Composition Seminar 2016

Wildbird Music is delighted to support the Limelight Australian Composition Seminar again in 2016.  Taking place on Tuesday 19 July at Santa Sabina College, Strathfield (Sydney), and hosted by Karen Carey, Richard Gill and Andrew Batt-Rawden, we hear this special and enriching event for secondary school music teachers and students has already sold out.

We’re very pleased that alongside workshops of student compositions, the music of Wildbird composer Brian Howard will be featured this year, with a performance and analysis of Voyage through radiant stars 6, the stand-alone string quartet movement from Howard’s larger chamber work Voyage through radiant stars, also connected with the solo saxophone work Voyages 1-8. We’re looking forward to the education kit arising from the seminar, as well as a recording of Voyage through radiant stars 6.

30 Oct

Peter Sculthorpe Music Fellowship 2015

The Wildbird team is delighted to announce that our Operations Manager, Peggy Polias, has been awarded the inaugural Peter Sculthorpe Fellowship, sponsored jointly by the NSW Government and Sydney Conservatorium of Music, University of Sydney.

In the words of NSW Deputy Premier and Minister for the Arts, Troy Grant: “This Fellowship is in honour of the enormous contribution to Australia’s musical heritage by Peter Sculthorpe AO OBE, who is widely acknowledged as one of the nation’s most significant composers.  The fellowship will honour his contribution by supporting the professional development of an emerging NSW-based composer or performer dedicated to producing new Australian music.”

During the coming year, Peggy intends to record her Picnic at Hanging Rock Suite (2011) for digital release; compose, workshop, develop and present a new work Hive for clarinet, viola and piano/keyboards; and embark on various professional development activities, including short courses, and intensive development of the Making Waves listening project co-curated with Melbourne-based composer Lisa Cheney.

We all wish Peggy a great year ahead as the Peter Sculthorpe Fellow.